Azadpur’s Children by Saima Rashid
Kashmir, 2030 “We will get it,today or tomorrow. Azadi is our birthright and we shall have it.” These...
Prose
Language and Identity Perception in Nazım Hikmet’s Poetry during Exile Years by Hülya Bayrak Akyıldız
INTRODUCTION In this paper, Nazım Hikmet’s poetry in exile years, from 1951 to his death in 1963, is examined...
RICHARD AYOADE’S THE DOUBLE AND THE PROBLEMS OF ADAPTING DOSTOEVSKY by Arijit Mukhopadhyay
The initial credits of the film The Double(2013)by British filmmaker Richard Ayoadedeclare clearly that the film has been ‘inspired...
Preethi Athreya’s Conditions of Carriage, of Collectivity by Madhushree Basu
To carry what? Chennai-based choreographer Preethi Athreya’s[1] latest work Conditions of Carriage started as a ‘jumping project’. The jumps...
Nation of Unhappiness by Moe Thet Han
1) People of the nation of unhappiness eat the fruits of unhappiness, which grow everywhere throughout the country. The...
The Russian Girl You Can Never Have by Carl Scharwath
Aleksandra had taken her place alone at the bar. The cool November evening air filtered in innocently through the...
Blue Moon by Sudhanshu Chopra
It’s my fifth cup of coffee. I’ve been at work for barely an hour and my trips to the...
My Trumpet Is a Doctor by Peter Ngila
My trumpet friend is shining golden like the evening sun. He looks expensive. Perhaps Mother has sent him to...
The Outlander by Rajarshi Chattopadhyay
That he saw was nothing. And nothing saw him. It was all set in a dark shabby one hundred-and-twenty...
The One Who Had It All by CG Fewston
In 2015 I first learned of the global law firm Mossack Fonseca—primarily based in Panama but having its busiest...